“Over the years, I accumulated small memories, like the envelopes that Mrs. Michel used to give me with tips, always accompanied by notes of recommendation. I kept each one of them as treasures, as symbols of a friendship that transcended the notes of a song.”
Tomás Ballesteros Escobar: Heart, Memories, and Music
Tomás Ballesteros Escobar is heart, memories, and music. His story is fascinating, full of encounters with those who brought life to the wonderful city of The Woodlands.
Tomás, how did you meet George Mitchell?
Well, it’s one of those life coincidences that sometimes surprise us. I started working at the elegant restaurant The Glass, which, by pure coincidence, was where the creators of this beautiful area dined once a week. There, I formed a special bond with Mrs. Cynthia Woods Mitchell and her twin sister, Mrs. Pamela. I would sit with them to chat and play music, and that’s how a very special friendship began.
Mrs. Mitchell had a favorite song, “Mi Luna de Miel”, which she always requested. We would dance together every time it played, and those moments will forever be etched in my heart. I remember that, even though her health began to deteriorate, she insisted on dancing with me to that song, even when her daughter tried to help her. It was a gesture of affection and strength that I will never forget.
Over time, when she could no longer leave the house, she asked me to come and play for her. For five years, I visited her home three times a week, bringing my music and sharing those unique moments until she passed away.
Tomás, what is the special story from the wedding of the Mitchells’ son?
Sure, I remember that at the wedding of their youngest son, the bride was running late, and it was a bit cold. Mr. Mitchell and I took shelter in a room while we waited. He sat in silence, and I started playing the guitar. We spent a pleasant time together, a simple and sincere connection that showed the beauty of music as a bridge between people.
Over the years, I accumulated small memories, like the envelopes Mrs. Mitchell used to give me with tips, always accompanied by affectionate notes. I kept each one of them as treasures, symbols of a friendship that transcended the notes of a song.
How do you feel that The Woodlands has changed from those times until today?
It’s changed a lot, and sometimes I feel like it’s not the same place anymore. Before, music had a different meaning for people. Now, with the advancement of technology and social media, I feel like live music has lost some of its magic. But I’m still grateful for those moments of authentic connection, where music united hearts.
Tomás, I know you’re thinking of returning to Spain. What makes you consider that possibility?
Yes, I’ve thought about it. I’ve been happy here, I have a wonderful family, and I’ve never lacked work. But I miss the recognition of my music, that boost that only an artist can understand. Sometimes, the applause is what keeps us alive. Although I’ve been happy here, it’s possible that when I retire, I’ll return to Spain, to my home.
You are a talented man, Tomás, and your music has touched many hearts. What message would you give to the young people today who view music differently?
I would tell young people that music education is fundamental. It’s important to understand and appreciate every style, every expression, and to respect the sacrifice that being a musician entails. Music has the power to connect, to make hearts resonate, and that’s something we should never lose.
Tomás is a 73-year-old Spanish artist. He is a man with an immense heart, and his music continues to resonate with those fortunate enough to hear it.
